The Last Shot at Us

The Director’s Ultimatum

The travel from The Daily Bloom Café, downtown LA to Dante’s private production office, Thorne Studios consumed the next hour. Headlights cut cold through the gathering dusk.

The production office smelled of coffee grounds and old paper. Dante Thorne stood at the window, watching the city grid pulse with evening traffic, his reflection a ghost superimposed over the glass. He counted the seconds between each car that turned left on Bendix Street. Sixteen. Seventeen. The rhythm helped him think.

Nadia sat in the leather chair across from his desk, her coat still buttoned. She hadn’t taken the coffee he’d offered. Her hands rested flat on her thighs, palms down, fingers spread—the posture of someone who wanted to prove she wasn’t running.

The office door clicked shut. Flynn had sealed it from the outside.

“You have exactly fifteen minutes,” Nadia said. “And I’m not here to audition.”

Dante turned. He crossed the room and sat on the edge of the desk, close enough that she had to tilt her head back to maintain eye contact. The folder lay between them, manila and unmarked, its contents already memorized.

“I didn’t bring you here for a role.”

“Then why?”

He slid the folder across the polished wood. It stopped an inch from her elbow. She didn’t touch it.

“Open it.”

“I don’t take orders from you anymore.”

“You never did. That was the problem.” He tapped the folder. “Open it, Nadia. Please.”

She held his gaze for three seconds, then four. The clock on his desk ticked through the silence. Finally, she flipped the cover.

The first photo showed Jace at school drop-off. Morning light, chain-link fence, his backpack hanging off one shoulder. The second: Jace at the park, climbing the jungle gym, his teeth bared in a laugh. The third: Jace walking beside Nadia outside their apartment, his hand in hers.

Her breath caught. The sound was small, almost invisible. Dante heard it anyway.

She closed the folder. “You had me followed.”

“I had my security team locate you. There’s a difference.”

“To you, maybe.”

“To me, there is.” He folded his arms, feeling the fabric of his shirt tighten across his shoulders. “I didn’t touch anything. I didn’t approach him. But I needed to know.”

Nadia stood. The chair scraped against the hardwood, a sound like a warning. “You needed to *know*? You walked out, Dante. Seven years ago. You packed a bag and left a note on the kitchen counter like I was a roommate you’d outgrown. You don’t get to know anything.”Source: Loerva

“Then tell me.”

“Tell you what?”

“Tell me why.” He heard his voice crack on the word, felt it in his throat like something sharp. “Tell me why you didn’t tell me. Tell me why I had to find out from a private investigator. Tell me why my son—”

“*Your* son?” She laughed, but there was no humor in it. “You forfeited that word the night you chose a premiere over my phone call. I was bleeding, Dante. In a hospital. Alone. And you were on a red carpet, smiling for cameras.”

The room went quiet. A taxi horn blared three blocks away, muffled by glass.

“I would have come,” he said.

“You didn’t.”

“I would have come if I’d known.”

“But you didn’t know because you never called back. You never answered. You made it very clear that your life, your career, your *image*—” she spat the word like poison, “—mattered more than whatever was happening with me. So I stopped waiting.”

Dante looked down at the folder. He could see the corner of the top photo peeking out—Jace’s sneakers, untied laces dragging on the asphalt.

“I had Flynn run a DNA test,” he said.

Nadia went still.

“From a strand of hair. On the jacket Jace wore in the park photos. I told myself I was being thorough. I told myself I needed to be sure before I did anything.” He paused. “I was sure before the results came back. I just needed the proof.”

“You violated my son’s privacy.”

“I needed to be certain.”

“You *needed*?” She stepped toward him, close enough that he could see the veins in her eyes, the exhaustion carved into her face. “I needed an epidural and no one to hold my hand. I needed a co-signer for the apartment I couldn’t afford. I needed someone to pick up Jace from school when he had a fever and I couldn’t leave work. I didn’t get any of those things. So don’t talk to me about *need*.”

He held up both hands, palms open. A surrender gesture. “You’re right.”

She blinked.

“You’re right,” he repeated. “I wasn’t there. I didn’t earn anything. But I’m here now.”

“Is that what you think this is? A redemption arc? You show up with a folder and a monologue, and I’m supposed to fall into your arms?”

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“No. I’m showing you the folder because I don’t have a choice.”

Nadia’s expression shifted. Wariness sharpened into suspicion. “What does that mean?”

Dante walked to his desk, opened the bottom drawer, and pulled out a second folder. This one was black, with no markings. He set it on the desk and opened it, fanning the contents across the surface.

Spreadsheets. Bank statements. Copies of wire transfers.

“I’ve been working with Owen Covington for the past nine months,” he said.

Her face drained of color. “The Covingtons? Dante, they’re—”

“I know what they are. I know what Owen does with his shell companies and his offshore accounts. I know Reid’s reputation for ‘fixing’ problems that don’t disappear on their own. I know better than anyone, because I’ve been doing their books.”

“You’re laundering money.”

“Producing a film. A blockbuster. $180 million budget, thirty percent of which is routed through Covington-controlled subsidiaries. I’m the director. I’m also the cover.”

Nadia sank back into the chair. Her hands gripped the armrests. “Why are you telling me this?”

“Because last week, Owen called me into his office. He told me he knew about you. About Jace.” Dante’s voice dropped. “He has photos too. More than I have. And he offered me a choice: keep the money flowing, keep the film on schedule, keep my mouth shut—or he exposes my ‘illegitimate son’ to the press. Makes it a scandal. Makes it impossible for me to protect either of you.”

“You’d lose everything.”

“I’d lose everything *and* you’d be in the crossfire. Owen doesn’t just ruin careers. He ruins lives. I’ve seen it happen.”

Nadia’s gaze drifted to the photos on the desk. Jungle gym. Backpack. Laughing teeth.

“What are you going to do?”

Dante sat down across from her, elbows on his knees, hands clasped. He looked smaller than he had when she walked in. Older.

“I’m going to finish the film. I don’t have a choice there—if I walk, Owen will make sure I never work again. But I’m also going to build a wall between you and him. A legal wall. Financial. Medical. Everything. You’ll have security, a lawyer on retainer, a school with protocols for Jace that require ID verification at every pickup.”

“You can’t shield us from someone like Owen Covington.”

“I can try.”

“That’s not enough.”Original novel found on Loerva.

“It’s all I have.”

Nadia stared at him. The clock ticked. Eight minutes had passed.

“You owe me an explanation,” she said finally. “Not for leaving. I understand why you left. But for never coming back. For never checking. For letting me raise your son alone while you built monuments to yourself.”

Dante looked at his hands. The calluses on his palms from gripping camera rigs. The scar on his knuckle from a set collapse six years ago. The wedding ring he still wore, because he’d never had the courage to take it off.

“I was afraid,” he said.

“Of what?”

“Of being a father. Of being *your* husband. Of being anyone other than the person on the screen.” He looked up. “I thought if I came back, if I saw you, if I held my child, I would fall apart. And I was right. I’m falling apart right now.”

She said nothing.

“The Covingtons don’t make idle threats,” he continued. “They don’t bluff. If Owen says he’ll expose Jace, he has a plan for exactly how and when and to what effect. The only way to counter that is to make myself more valuable than the scandal. To make the film so successful, so profitable, that Owen needs me more than he needs leverage.”

“That’s a gamble.”

“Everything in my life has been a gamble. I just didn’t know I was betting with you.” He reached out, palm up, an offer rather than a demand. “Let me do this. Let me be useful. I don’t expect you to forgive me. I don’t expect Jace to know my name. But let me protect you from the backstage. Let me handle the Covingtons.”

Nadia looked at his hand. The offer hung in the air between them.

“You should have told me about Jace,” he whispered.

“You should have been there to find out.”

The silence stretched. Traffic hummed outside. The air conditioning cycled on, blowing cold air across Dante’s neck.

Finally, Nadia reached out and closed the folder. Her fingers lingered on the edge for a moment, tracing the seam.

“If Owen Covington so much as *looks* at Jace,” she said, “I will burn your life down. Every set. Every film. Every award. I will make sure the world knows what you did and didn’t do.”

“I know you will.”

“And if your security team ever touches my son without my permission, I’ll file charges.”

“They won’t.”

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“And when this is over—if we survive it—you disappear again. No visits. No birthday cards. No promises you can’t keep.”

Dante felt the words like a punch to the chest. He nodded anyway.

“I understand.”

“No. You don’t.” She stood, straightening her coat. “But you will.”

She walked toward the door, then stopped. Her hand hovered over the handle.

“For what it’s worth,” she said, not turning around, “he has your jaw. And your temper. And he asked me once why he didn’t have a father.”

“What did you tell him?”

“I told him that some people aren’t built for love. They’re built for leaving.” She looked over her shoulder. “I don’t think I was entirely right.”

She opened the door and stepped into the hallway.

Dante sat alone in the office, the black folder still open on the desk. He spread the documents across the surface. Wire transfers. Encrypted emails. A note from Owen, handwritten, delivered by courier: *The film wraps in twelve weeks. Make sure it does.*

Beneath the note, a line item stood out. A shell company called Montclair Holdings, registered in the Cayman Islands, routing payments through a Covington subsidiary. The account had been active for four years. The beneficiary was Nadia’s mother, deceased since 2019.

Dante picked up the paper. His hands trembled.

Owen had been paying someone in Nadia’s family for years. Long before Jace was born. Long before the film.

The question was: who knew?

And: how deep did the leverage go?

He reached for his phone and dialed Flynn’s number.

“I need a full background on Montclair Holdings. Cayman registration. Find out who’s been signing the documents.”

“Sir, that could take weeks.”

“You have forty-eight hours.” Dante hung up. He looked at the photos of Jace. The jungle gym. The laugh. The untied shoelaces.

He thought about saying goodbye. He thought about never seeing his son’s face in person.Full story available on Loerva.

He thought about Owen Covington’s smile, thin and carnivorous, the last time they’d shaken hands.

Then he walked to the window and watched the city darken, street by street, until his reflection was the only light in the room.

There was a knock. Flynn’s voice, muffled through the wood: “Sir? The car is here. You have a dinner with Reid Covington in forty minutes.”

Dante didn’t turn around. “Tell him I’ll be late.”

“Sir, I don’t think—”

“Tell him I’m in a meeting with my legal team. Tell him I’m reviewing contracts. Tell him anything you want, but buy me an hour.”

A pause. Footsteps retreating.

Dante pressed his palm against the cold glass.

He thought about the eleven months between leaving Nadia and filing for divorce. The phone calls he’d almost made. The letters he’d written and burned. The night he’d driven past their old apartment, seen the light on in the kitchen window, and kept driving.

Jace had been born three months later.

There was a debt here. Not financial—something older. Something that ran through blood and bone and the space between two people who’d known each other’s bodies better than their hearts.

He pulled out his phone again. Opened the encrypted messaging app Owen had installed on his device.

New message. Recipient: ReCov.

*Thorne. Motion capture shoot moved to Tuesday. Budget adjustment confirmed. Awaiting sign-off on secondary protocols.*

He typed a reply: *Received. Film wraps on schedule. Meeting with legal tomorrow re: trust structure.*

He hesitated. Then added: *Family obligations are being addressed.*

The response came thirty seconds later: *Good. Don’t make me remind you of the stakes.*

Dante locked the phone and placed it facedown on the desk.

In the black folder, beneath the shell company documents, was a single photograph he hadn’t shown Nadia. It was old, creased, the corners worn soft. A Polaroid. Dante and Nadia on a beach, five years before Jace. She was laughing at something he’d said, her head thrown back. He was looking at her like she was the answer to a question he hadn’t known he was asking.

He took the photo out and slipped it into his jacket pocket.

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Then he stood, straightened his tie, and walked into the hallway.

Flynn was waiting by the elevator. “The Covington dinner. I’ve confirmed your attendance.”

“Good.”

“Sir, there’s something else.”

“What?”

“Reid Covington called an hour ago. He asked if you’d recently contacted a private investigator named Salazar.”

Dante felt the temperature drop. “What did you tell him?”

“That I handle all external security personally. That Salazar wasn’t on my roster.”

“Good.”

“Sir, if he knows about the investigation, he knows about—”

“I know.”

The elevator doors opened. Dante stepped inside.

“Book a second car. Unmarked. Have it wait three blocks from the restaurant. If I don’t call you by midnight, instruct Salazar to release everything.”

“Everything?”

“Every photo. Every DNA report. Every contact I’ve made since I found out about Jace. Send it to the *Times*, the *Post*, and the FBI’s financial crimes division.”

Flynn’s face went pale. “Sir, that would burn your career to the ground.”

“It’s already burning.” The doors began to close. “The only question is which of us is standing in the flames.”

The elevator descended.

Dante watched the floor numbers tick down, counting each one the way he’d counted cars on Bendix Street. *Method. Precision. Control.*

The lobby doors slid open. The Covington driver was waiting by a black sedan, engine running.Visit Loerva.

Dante walked past him.

He stopped at the curb, pulled out his phone, and sent one more message. Unencrypted. Direct.

To: Nadia Montclair.
Subject: (no subject)
Body: *I don’t expect you to answer. But I need you to know: the money your mother’s estate received was from a Covington subsidiary. Four years of payments starting before we met. Check her medical records. Check her bank statements. I think Owen has been planning this longer than either of us knew. I think we were never the ones in control.*

He hit send.

Then he got into the sedan and let the city swallow him whole.

The response came forty minutes later, during the appetizer course, as Reid Covington was explaining the virtues of a well-structured shell company.

Dante felt his phone vibrate. He glanced at the screen.

Nadia: *I found the records. I’ll destroy them tonight.*

Dante typed back: *They’re copies. Originals are in fireproof storage safe in attorney James Hewitt’s office safe. Code is 7-23-91. You have 24 hours before the Covingtons lawyer starts asking questions.*

He looked up. Reid Covington was watching him, fork suspended halfway to his mouth.

“Is everything all right, Dante?”

“Perfect,” Dante said, sliding the phone back into his pocket. “Just handling some family business.”

Reid’s smile didn’t reach his eyes. “Family is the most important thing, isn’t it?”

“It is.”

“Then I’m sure you’ll make the right decisions.” Reid set down his fork. “For all of them.”

The threat hung in the air, invisible and absolute.

Dante picked up his wine glass. He didn’t drink. He just held it, feeling the weight of the crystal, the cool stem against his fingers.

“I’m not asking for a second chance, Nadia. I’m asking—no, I’m begging—to be a shield. Because the Covingtons already know about Jace. And they don’t make threats. They keep promises.”

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